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Autor Téma: ako robit obrovsky pedalboard....  (Prečítané 123938 krát)
0 užívateľov a 2 Hostí prehliada túto tému.
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« Odpoveď #120 kedy: 13. August , 2008, 17:02:37 »

zdravim

nemohol by si please nakreslit schemu zapojenia efektov ?

naozaj by ma to moc zaujimalo

dik

GR20 out
                > A/B box 1 > BOSS NS1 noise supressor > Nobels split 4 splitter/super buffer >
Normal out

Split4 out 1 > electric chain
Split 4 out 2 > BOSS AC2 > acoustic preamp > FX return na combo

Electric chain:
Marshall ED1 compressor > Dunlop crybaby (mod:true bypass, first edition!)
BOSS VWAH > ma 8 internych driveov = metal zone, Big muff, turbo overdrive, od1, ds1, marshall guvnor, blues driver, treble booster. tu mas demo:   (to som ja)
+ crybaby wah, morley bad horsie, vox wah, uni-vibe, voicebox, bass mix wah, advanced wah atd atd....
ma velmy slusny relay bypass a noise suppressor.
vwah > Ibanez TS9 (jap original) > pearl octavr (2 oktavy dole + 1 hore + original) > BOSS OD3 > marshall drivemaster (TB)
> BOSS Mega distortion > DOD bifet preamp (solo booster - millenium bypass mod) >NS1 return >Electro harmonix small clone  chorus > Yamaha magicstomp ( - moja dema) > Danelectro fish n' chips EQ > PTM tremolo/active volume (mod: heel switch na externych funkciach) > BOSS DD (taiwan) > BOSS DD3 Japan > yamaha magicstomp ( - moja dema) > hum destroyer (pod platformom) > A/B box - do comba alebo PA ked chcem hrat s akustikou/nylonkou ( moja dema) Vsetky akusticke svuky su tiez vo magicstomp 1, len prepinam do PAcko a mam spickovy studio sound live.

mas to?Huh!Huh!Huh! Bavím sa skvele
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ff
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« Odpoveď #121 kedy: 13. August , 2008, 17:11:17 »

GR20 out
                > A/B box 1 > BOSS NS1 noise supressor > Nobels split 4 splitter/super buffer >
Normal out

Split4 out 1 > electric chain
Split 4 out 2 > BOSS AC2 > acoustic preamp > FX return na combo

Electric chain:
Marshall ED1 compressor > Dunlop crybaby (mod:true bypass, first edition!)
BOSS VWAH > ma 8 internych driveov = metal zone, Big muff, turbo overdrive, od1, ds1, marshall guvnor, blues driver, treble booster. tu mas demo:   (to som ja)
+ crybaby wah, morley bad horsie, vox wah, uni-vibe, voicebox, bass mix wah, advanced wah atd atd....
ma velmy slusny relay bypass a noise suppressor.
vwah > Ibanez TS9 (jap original) > pearl octavr (2 oktavy dole + 1 hore + original) > BOSS OD3 > marshall drivemaster (TB)
> BOSS Mega distortion > DOD bifet preamp (solo booster - millenium bypass mod) >NS1 return >Electro harmonix small clone  chorus > Yamaha magicstomp ( - moja dema) > Danelectro fish n' chips EQ > PTM tremolo/active volume (mod: heel switch na externych funkciach) > BOSS DD (taiwan) > BOSS DD3 Japan > yamaha magicstomp ( - moja dema) > hum destroyer (pod platformom) > A/B box - do comba alebo PA ked chcem hrat s akustikou/nylonkou ( moja dema) Vsetky akusticke svuky su tiez vo magicstomp 1, len prepinam do PAcko a mam spickovy studio sound live.

mas to?Huh!Huh!Huh! Bavím sa skvele
Je to jasné,úplno jednoducho-primitívne!Však tomu musí rozumieť aj priemerne inteligentný foxteriér...Vôbec sa v tom nevyznám Bavím sa skvele
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« Odpoveď #122 kedy: 13. August , 2008, 17:48:31 »

ako si pametas tie setupy ? neni lepsie kupit jeden multiefekt naprogramovat si to a potom cez midi prepinat hotove setupy ? takto naozaj treba sa naucit kazacok a plachtu s navodom.
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« Odpoveď #123 kedy: 13. August , 2008, 18:01:04 »

ako si pametas tie setupy ? neni lepsie kupit jeden multiefekt naprogramovat si to a potom cez midi prepinat hotove setupy ? takto naozaj treba sa naucit kazacok a plachtu s navodom.

Multieffect??? nezartuj!!!!
 mal som vsetko od BOSS, zoom, digitech az po line 6, sa neda porovnat s krabickami.
 ale mam magicstompy na pedalboard, to su naj, ale nie su klasicky multiefecty, su robene na pedalboardov.

Mam line 6 POD doma, velmy slusne....


....... ako door stopper!!!!!!! ha ha ha

jediny multak co hra skoro ako krabicky je fractal audio axe-fx, ale aj tak to nie je pre mna.
 Si pametam setupy lebo to je moj design, detto aj zvuky co su v ukazkach hore, vsetky som programoval sam ked som zacal robit s algami. krok za krokom, nie je to velmy komplikovany, celkom bezny. Treba s tym hrat len 20 minut a je to. Kazdy ktory to vyskusal nechcel odist, aj slovensky gitarovy hviezdy, ako aj gitaristi zo zahranici.
Tyo je moja baby a som happy as hovado ze konecne mam svoj dream setup!
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« Odpoveď #124 kedy: 13. August , 2008, 18:03:29 »

Trebárs Phaser som ešte v mulťáku nepočul pekný.Zato krabička-to bolo o inom :)
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« Odpoveď #125 kedy: 13. August , 2008, 18:07:29 »

a co notebook s pluginmi ? tiez neprekona krabicky ?
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« Odpoveď #126 kedy: 13. August , 2008, 18:51:23 »

Vobec, ale fajn ak chces robit demo. Analog je analog.
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tovarne na kolena home made is the king


« Odpoveď #127 kedy: 13. August , 2008, 20:45:27 »

aj ja som za že anlog je analog a v multaku amš aj tak plno efektov kt su neni na urovni a nani nedokažu to čo od nich chcheš ..... proste aj už moj digitech rp 80 použivam len do FX ak ladikčku  volume pedal a všetky FX efekty taham ale len tie počuvatelne....
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« Odpoveď #128 kedy: 13. August , 2008, 21:14:06 »

Viem, ale mam vsetky efekty na svete vo magicstompe, ako individualne algorhytmy tiez.

a 2 krat.

mam aj aj, analog + programabilne multaky! na 1 pedalboard
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« Odpoveď #129 kedy: 13. August , 2008, 21:15:11 »

Hocikedy! to by bol radost.

Super, to sa tesim! Mam to zhruba premyslene, ale moc sa do toho nevyznam, tak si rad necham poradit. Nebudem ti tu zasierat temu a zalozim teda moju a mozme to nejako vyspekulovat, pripadne aj nieco do toho zmajstrovat :).
Dik moc.
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« Odpoveď #130 kedy: 13. August , 2008, 21:28:28 »

Aby som to doplnil, kazdy magicstomp na nasledujuci zakladne algos:

Distortion
Advanced distortion. Mainly used for direct connection to guitar amp’s front
input.
Digital Distortion Distortion effect. Mainly used for direct connection to guitar amp’s front input.
Amp Simulator
DG Series amp sound. Mainly used for direct connection to power amp. Speaker
simulator allows direct recording.
Chorus Chorus effect.
Symphonic Symphonic effect.
Flange Flange effect.
Vintage Flange Flanger produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Phaser Maximum 16-stage phaser.
Mono Vintage Phaser
Monaural phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Stereo Vintage Phaser
Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Tremolo Tremolo effect.
Auto Pan Autopanner.
Rotary Rotary speaker simulator.
Ring Mod. Ring modulator.
Mod. Filter Modulation filter.
Compressor Compressor.
M.Band Dyna. 3-band dynamics processor.
Dyna. Filter Filter effect. The effect changes according to input level.
Dyna. Flange Flanger effect. The effect changes according to input level.
Dyna. Phaser Phaser effect. The effect changes according to input level.
Tape Echo Vintage tape echo.
Mono Delay Basic monaural delay.
Stereo Delay Basic stereo delay.
Mod. Delay Basic repeat delay with modulation.
Delay LCR 3-tap delay (left, center, right).
Echo Stereo delay with crossed feedback loop.
8 Band Parallel Delay 8-band modulation delay connected in parallel.
8 Band Series Delay 8-band modulation delay connected in series.
4 Band 2 Tap Mod. Delay 4-band delay connected in parallel w/2 multi-tap modulation delays.
2 Band 4 Tap Mod. Delay 2-band delay connected in parallel w/4 multi-tap modulation delay.
8 Multi Tap Mod. Delay 8 Multi tap modulation delay.
2 Band Long + 4 Short Mod. Delay 2 band parallel 2 multi tap + 4 band short modulation delay.
Short + Medium + Long Mod. Delay 3 band multi tap delay w/3 delay times.
Reverb Hall, room, stage, and plate reverb simulations, all with gates.
Early Ref. Early reflections.
Gate Reverb Early reflections with gate.
Reverse Gate Early reflections with reverse gate.
Spring Reverb Spring reverb simulation.
HQ. Pitch High-quality pitch shifter.
Dual Pitch Pitch shifter.
3
3 Band Parametric EQ 3-band parametric equalizer.
Multi Filter 3-band multi-filter (24 dB/octave).
Reverb+Chorus Reverb and chorus effects in parallel.
Reverb->Chorus Reverb and chorus effects in series.
Reverb+Flange Reverb and flanger effects in parallel.
Reverb->Flange Reverb and flanger effects in series.
Reverb+Symphonic Reverb and symphonic effects in parallel.
Reverb->Symphonic Reverb and symphonic effects in series.
Reverb->Pan Reverb and autopan effects in series.
Delay+Early Ref. Delay and early reflections effects in parallel.
Delay->Early Ref. Delay and early reflections effects in series.
Delay+Reverb Delay and reverb effects in parallel.
Delay->Reverb Delay and reverb effects in series.
Distortion->Delay
Distortion and delay effects in series. Mainly used for direct connection to guitar
amp’s front input.
Amp Multi (Chorus)
Multi effect consisting of Comp + Amp Simulator + Chorus + Delay + Reverb.
Mainly used for direct connection to power amp. Speaker simulator allows direct
recording.
Amp Multi (Flange)
Multi effect consisting of Comp + Amp Simulator + Flanger + Delay + Reverb.
Mainly used for direct connection to power amp. Speaker simulator allows direct
recording.
Amp Multi (Tremolo)
Multi effect consisting of Comp + Amp Simulator + Tremolo + Delay + Reverb.
Mainly used for direct connection to power amp. Speaker simulator allows direct
recording.
Amp Multi (Phaser)
Multi effect consisting of Comp + Amp Simulator + Phaser + Delay + Reverb.
Mainly used for direct connection to power amp. Speaker simulator allows direct
recording.
Distortion Multi (Chorus)
Multi effect consisting of Comp + Distortion + Chorus + Delay + Reverb. Mainly
used for direct connection to guitar amp’s front input.
Distortion Multi (Flange)
Multi effect consisting of Comp + Distortion + Flanger + Delay + Reverb. Mainly
used for direct connection to guitar amp’s front input.
Distortion Multi (Tremolo)
Multi effect consisting of Comp + Distortion + Tremolo + Delay + Reverb. Mainly
used for direct connection to guitar amp’s front input.
Distortion Multi (Phaser)
Multi effect consisting of Comp + Distortion + Phaser + Delay + Reverb. Mainly
used for direct connection to guitar amp’s front input.
Acoustic Multi Multi effect for electric-acoustic guitar.

A plus mam este asi 600 algos co som vytvoril sam pre yamaha.
To znamena ze mam plny multak na pedalboard (az 2) ale nepouzivam ich ako multieffect (comp >drive >mod > del atd...) ale len ako jednotlivy efekty.
 Na magicstomp mas iba up/down on/off. Funguje to ako krabica, a ma real time controls (3)

Tak ze je to ultimate hybrid.
 Kludne mozete to vyskusat ak ste z blavy, nemam nic proti!
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« Odpoveď #131 kedy: 13. August , 2008, 21:34:20 »

a to prosim ta len prepinas krabicky alebo aj niekedy este krutis s gombikami v algos ?
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« Odpoveď #132 kedy: 13. August , 2008, 21:37:24 »

a to prosim ta len prepinas krabicky alebo aj niekedy este krutis s gombikami v algos ?

To programujem cele. Preto potrebujem USB in na patchbay na pedalboard.
Algos, deep editing, firmware atd.
 Som majitel skupiny magicstomp pro a pracujem na R&D pre yamaha (externe).
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« Odpoveď #133 kedy: 13. August , 2008, 21:50:23 »

To programujem cele. Preto potrebujem USB in na patchbay na pedalboard.
Algos, deep editing, firmware atd.
 Som majitel skupiny magicstomp pro a pracujem na R&D pre yamaha (externe).

Vyznas aj do UD stomp? Ja to mam uz dlhe roky (akurat si nepamatam kde som to momentalne dal :) ), a nejako som z toho blby, je to nejako strasne komplikovane na mna :).
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večne usmiaty gitarista :-)


« Odpoveď #134 kedy: 13. August , 2008, 23:15:31 »

ale mam magicstompy na pedalboard, to su naj, ale nie su klasicky multiefecty, su robene na pedalboardov.
tiez pouzivam MagicStomp2 a neviem si ho vynachvalit
taham hlavne tremolo, phaser, chorus, octaver, touchwah

ale niekedy, ked sa mi nechce tahat hlavu na skusku pouzivam aj skreslenia z Yamahy do Gibson komba a hra to super

skusal som efekty, ktore som si nastavil, porovnavat s analogovymi krabickami a velky rozdiel som nezaznamenal
analog bol iba o nieco makksi na ucho
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